woensdag 22 juli 2009
Turn Writer's Blocks Into Stepping Stones!
Poor woman. All she was saying is that SHE cannot break writer’s block, which told me all I need to know about her career. In all likelihood a promising beginning, perhaps an award-winning poem or book…and then pain.
It is not only possible to end writer’s block forever, but you can actually use it to your advantage!
First, let us define it in some useful way: Writer’s block is the inability to
1) Produce new text.
2) Edit and polish existing text
3) Finish projects on a reasonable schedule
4) Send those projects out for editorial judgment.
5) Continue sending them out until they are sold.
Accepting the above, I’m going to give you a definition of the root cause of Writer’s Block that will actually help you in every arena of your life.
“Writer’s Block is nothing more than a confusion of two different states of mind: the Flow state, where you produce new text, and the Editing state, where you evaluate and polish what you have written.”
WB is such a killer because most of us have done far more reading than we have writing, and spend far more time in critical analysis of finished, polished work of the masters than in experiencing our own early drafts. So when we try to create text, we measure our first draft efforts against the polished work of the world’s great writers. Immediately, that “this is garbage!” voice goes off in your head, and you have a block.
It is said that novice writers must work through a million words of garbage before reaching their true voice. How in the world will you ever get through it if you constantly judge every word? If you will learn to turn that voice off, you will learn a massive and important lesson about the structure of the human psyche.
But what exactly is “Flow”? It is the psychological state where time seems to vanish, where you “fall into the page”, where the rest of the world floats away as you concentrate. This is similar to the “hypnogogic” state experienced just prior to sleep, and the first thing in the morning. It is experienced in distance running, dancing (remember the lyrics to “Flashdance”? “She’s moved into the danger zone, where the dancer becomes the dance”) and, to be perfectly frank, it is experienced during sexual relations in the moments just prior to orgasm. It is the dissolution of the subject-object relationship sought by numerous schools of meditation.
1) Alternate days (or work sessions) between flow and editing. If necessary, wear different hats, or sit in different chairs for each. NEVER DO BOTH IN THE SAME SESSION
2) Set yourself a daily output that will get you to your goal of one million words in less than 5 years. 1000 words a day will do it in three years. That’s roughly comparable to earning an AA degree. Not too shabby!
3) Explore and specifically study “Flow State” as a discipline. Do your internet searches and find a physical or mental activity (running, dancing, meditation, Tai chi, yoga, etc.) that opens a doorway to this inner world.
4) Listen to largo rhythm, sixty-beat per minute string music. Vivaldi is perfect for this, and induces “Alpha” (flow) state rapidly and effectively. Stay away from music with lyrics, but soft jazz is also terrific.
5) Practice making pictures in your mind, and then writing down what you see WITHOUT judging the quality of your descriptions. You want to enhance the connection between your deep consciousness and your typing or writing.
6) If you can’t find a good meditation technique, just sit and “listen” to your own heartbeat for 15-30 minutes a day.
There are many other ideas, but these will get you started. The most valuable thing you will learn is to “turn off” or ignore the negative voices in your head. And an artist who learns to do this on demand is on the way to integration of the deep levels of the unconscious…and greater joy in the act of creation.
donderdag 16 juli 2009
Going With "The Flow"
Flow state, that mysterious mental zone where time and the outside world seem to disappear, is one of the keys to peak performance. Frankly, your ability to harness the limits of your intelligence, creativity, education, or talents will be largely determined by your capacity to remain in flow while under stress.
Those who cannot suffer “stage fright,” “writer’s block” “flop sweat” and numerous other labels for the same phenomenon—inability to access the deepest wells of confidence and performance in the actual arena.
The key to unlocking this particular inner vault is to look at the phenomenon of flow itself, separate from any specific usage or application.
We all experience the “flow” phenomenon. The last moments before we fall asleep or the first after awakening (also known as the “hypnogogic state”) have this quality. Ever gotten on the freeway, lost yourself in thought, and only snapped out of it when your exit appeared? Flow. Gone running, dancing, or walking and found time dissolving, so that an hour felt like mere minutes? Flow. One exceptionally powerful “flow moment” would be the last few seconds leading up to orgasm, when it feels like the barriers between you and your lover are melting away.
All of these moments share something in common: they all deal with the dissolution of the subject-object relationship. The painter melts into the canvas. The writer disappears into the book, the reader into the magazine, the lover into the beloved, the martial artist into the flow of throw and punch. We stop being aware of “ourselves” and begin to sense a connection between all the disparate parts of the activity, as if we are simultaneously stepping back for a wider view, and sinking inwards to a place of almost impossible intimacy.
It is a path to genius. One might take the position that the ability to hold flow under stress is the single greatest key of all high-performing human beings in any arena of life. What is talent, separate from the focus required to manifest it?
There are many disciplines that address flow: meditation, yoga, Tai Chi, prayer, etc. And there are tools that work terrifically well for familiarizing you with this state: sixty beat per minute Largo rhythm string music (Vivaldi is great!), hot baths, incense, massage, etc. Distance running or rhythmic walking, dance, gardening or cooking (for some people), playing music, painting, and numerous other activities touch this space. Just look for the moments when time vanishes.
One core technique, used worldwide in thousands of disciplines, is breath control. This is key because breathing is the only physiological process both voluntary and autonomic, and is thus a key to the unconscious mind. Learning to breathe slowly and deeply even under stress will de-inhibit the flow response, allowing you to access your deeper wisdom and creativity even when a project is due by noon, or the baby is screaming in the next room.
To take advantage of this fact,
1) Learn to breathe deep in your belly. Lay on your back, and put a book on your tummy. As you inhale, it should rise. Exhale, it should fall. Your chest should move as little as possible.
2) Five times a day, at every hour divisible by three (9, 12, 3, 6, 9) concentrate on your breathing for sixty seconds. Learn to do this while driving, sitting in meetings, standing in elevators, or walking down the street.
3) Place (or catch) yourself under moderate stress, and practice this breathing. For instance, in the middle of an exercise class, while public speaking, in the middle of an argument, while caught in bad traffic, while experiencing an anxiety attack. Learn to breathe calmly and deeply in such situations, and you re-pattern your nervous system’s threat response, enabling you to calm yourself to enter flow.
There are certainly other methods, but this one, modification of breathing, has worked for thousands of year and hundreds of millions of people. It will work for you, as well.